Saturday, 9 May 2015

Eurovision 2015 - Semi Final 1

We are the world's people, different yet we're the same...

So, as you may, or may not, be aware the Eurovision Song Contest 2015 is just around the corner with the to semi finals taking place on May 19th and 21st and the final on Saturday the 23rd. Following Austria's victory last year, Conchita triumphed with the wonderful Bassey-esque 'Rise Like a Phoenix', the contest will be beaming it's way across the world from the beautiful city of Vienna - and I will be there!


I know it's contentious with accusations of politics and block voting taking away from the actual songs themselves, some people would even question the quality of the songs involved, and that we in the UK may not be seen to take it as seriously as the rest of Europe and beyond (see Scooch), but I, for one, love it. 

So, as we count down to the big night I'm going to give my views on all of the songs taking part in the ESC this year. I'll make it quite clear that these are just my opinions and as has become more obvious over the past few years, what I like very rarely wins (although last year was an exception to that rule)!
So, on with the show, and with just over a week to go til the madness kicks off , we'll start with Semi Final 1!

Moldova - Eduard Romanyuta - I Want Your Love

Sounds like a Justin Bieber song recorded before Justin Bieber was even born. If Justin was an artist in the late 90's/early 00's he would've probably recorded something like this. I'm not sure if this is trying to sound turn-of-the-century or if the production is just really outdated (although I do like the flourishes of traditional instruments in the background in the chorus), I think it sounds a bit like an old A1 song (whooooooooooooooooo???). A simple and slightly repetitive chorus and a limited vocal do nothing to save it, I don't rate his chances of qualifying for the final, and at the risk of sounding my mother, I do wish he'd cut his hair!



Armenia - Genealogy - Face the Shadow

A clever concept (members of Armenian descent from different continents and a member from Armenia) can't make up for a bit of a non-event of a song. The piano and acoustic guitars work better with some voices than others, and I think overall they blend pretty well together although I do find the operatics a bit distracting towards the end. Not a favourite of mine.

 

Belgium - Loic Nottet - Rhythm Inside

Well, someone's been listening to a lot of Lorde haven't they? It's great to see a fresh, young talent like 19 year old Loic bringing something a little different and more contemporary to the competition. Sparse production with a focus on clicks and claps in the verses really shows off the individuality of Loic's voice. Plus, he's already proved he can cope with large audiences and live TV as he finished 2nd on The Voice in Belgium. I really like it, but I have no idea what Europe will make of it.

 

Netherlands - Trijntje Oosterhuis - Walk Along

First of all think of her name on a triple word score in Scrabble - winner! Following their triumphant return to the finals last year with the sublime 'Calm After the Storm' by the Common Linnets (they nearly won the whole thing!) there's a lot of expectation around the Dutch entry this year. I must admit on first listen I was a little disappointed, but that all soon changed. Soulful vocal, gorgeous acoustic guitars with an air of 'Torn' by Natalie Imbruglia and a simple but deadly catchy chorus. Will the lack of immediacy hurt it's chances? I sincerely hope not.



Finland - Pertti Kurikan Nimipaivat - Aina mun pitaa

A punk band that was formed from a series of workshops for adults with developmental disabilities they have had success in their homeland and are now hoping to have a similar result in Eurovision. At 1 minute and 27 seconds it is the shortest song to ever enter the competition, what they do they seem to do well - I just don't like it, punk isn't really thing. Have a listen a see what you think.

 

Greece - Maria Elena Kyriakou - One Last Breath

Sound the big blousy ballad klaxon! The former winner of The Voice of Greece has an amazing set of pipes on her, what a voice! However, the song is a little bit old-fashioned. I hope they've put new batteries in the wind machine because it's going to get pounded over the 3 minutes Maria is on stage! When it actually gets out of first gear it's pretty good, and the end is full or dramatic clashes and over-the-top backing vocals, it really reminds me of 'The Voice Within' by Christina Aguilera and sounds like it's just stepped out of that era. Will it qualify? Not a bloody clue!



Estonia - Elina Borg & Stig Rasta - Goodbye to Yesterday

One of the early favourites for victory in Vienna, and it's a classy affair. Jaunty, retro-influenced acoustic guitars with stabs of Bond-style bass and brass give this a real 60's flavour. There is some nice interplay between the two of them and their voices work well together, although they don't sound like they're in a particularly good place as a couple... 


Macedonia - Daniel Kajmakoski - Autumn Leaves

Macedonia may not be one of the strongets qualification records at Eurovision but they keep plugging away. This is a distinct change of gear from last year's dance-oriented entry. A traditional Balkan balled with nice flourishes of violins, but maybe a little too safe? I kept waiting for it to kick off and take flight, but it never happened. It's pleasant, but maybe not in a good way.


Serbia - Bojana Stamenov - Beauty Never Lies

Returning after a year's absence Serbia come back with a popular singer in their country (she came 3rd in Serbia's Got Talent). In my critique of the last song I said I was waiting for it all to kick off, there's no such problem with this one! At the start it's all very much etho-pop by numbers with lyrics from the 'Miss Congeniality Book of World Peace', then someone presses the poppers 'o clock button half way through and we get Serbia by way of Magaluf - it's as mental as it sounds. Camp as tits, overly dramatic and divisive, I happen to love it!



Hungary - Boggie - Wars for Nothing

Speaking of world peace-style lyrics, ladies and gentlemen we have a winner in that category! A call for a cease to world wars and the fact that everyone deserves a chance, blah, blah and thrice blah. I understand and appreciate the sentiment, but this is inoffensive to the point of being bland. It is 3 minutes of your life you will never get back. What's Hungarian for 'Kumbaya'? 


Belarus - Uzari & Maimuna - Time

A male vocalist and female violinist duo...obviously! His voice is fairly pleasant and the violin does add something a little different to the poppy production, but, again, it never really takes off. I really like the violin breakdown mid-way through as it works really well with his vocals, but that isn't really enough to save it.


Russia - Polina Gagarina - A Million Voices

I feel I need to start this review with a note that my views on this song are not coloured at all by the political landscape in Russia nor are they an endorsement of the treatment of certain groups at the hands of the Putin regime. Well, now that's out of the way, on to the song. This is as cheesy as 70's fondue, very much in the world peace category, the production is slightly dated but is classy in the extreme and Polina's voice is bloody fantastic. Although I may not agree with the way the country is governed they can certainly churn out a wind machine fodder ballad of the highest order, this could do very well.


Denmark - Anti Social Media - The Way You Are

Denmark have a pretty good track record at Eurovision and have hit something of a purple patch over the last few years with the popular Bruno Mars rip off of last year (Basim's 'Cliche Love Song') and winning in 2013 with wood nymph Emelie de Forest's penny whistle anthem 'Only Teardrops'. So, we come to their 2015 entry, sunny guitars, cute backing vocals, catchy lyrics but there's just something missing and I can't put my finger on what it is. I like it, but that's it - it's nice, and I fear that may not be enough to make a splash.


Albania - Elhaida Dani - I'm Alive

Elhaida has won a TV talent show called Star Factory in her homeland and The Voice of Italy so she's got pedigree. She has an interesting tone to her voice and it all starts rather pleasantly with ad libs and acoustic guitars. Elhaida has a beautiful voice and the percussion continues to build towards a crashing finale. I really like this one, although Albania can be quite unpredictable in the contest so God knows what's going to happen to this one.



Romania - Voltaj - De la capat (All Over Again)

The words 'Romanian pop-rock' don't exactly fill me with joy, but this isn't as bad as I initially thought. Pleasant Radio 2-style backing track and serviceable vocals, but will it be enough to stand out in the huge sea of ballads this year? I'm not so sure. When the lyrics switch to Engish it loses something and just sounds a bit like any other slightly bland emo-pop from about 10 years ago.



Georgia - Nina Sublatti - Warrior

Something of a fan favourite this year Georgia are coming off the back of finishing last in their semi final last year and it would appear they've come out fighting. It's got lovely modern production and has a sheen to it that few songs this year can compete with. My major problem is that her diction is just appalling! I understand this is her second language, but I do struggle to pick many lyrics out. However, that said it is a strong entry with elements of drum & bass in the breakdown midway through. I think this stands a chance of not only qualifying but doing very well in Vienna.



So, there you have it, the songs that are competing in the first semi final of Eurovision in Vienna. Make sure to check back very soon for my thoughts on semi final 2 and the automatic qualifiers from France, Spain, Italy, Germany, Austria, the United Kingdom and new kids on the block Australia!

Track of the Week #7

It's only the bloody track of the week!

This week's 'Track of the Week' come from a singer who has been absent from the charts in his homeland, the UK, for a while but has had success around the world, has recently been seen as a judge on X Factor - Italy, and if there's any justice in the world he should get some mainstream recognition for this song. The singer is question is Mika with 'Last Party'.


Last seen in the UK charts 6 years ago with 'We Are Golden', Mika is back this summer with a new album, 'No Place in Heaven', and our 'Track of the Week' is the first release from it. Gone are the cartoonish images and glass-shattering falsetto's of former pop glories 'Grace Kelly' and 'Relax, Take it Easy', replaced with a much more plaintive and soul-searching sound. Simple piano backing works beautifully with Mika's more delicate delivery, a real sense of melancholy haunts this song:

"If you could look into the future, would ya?
If you could see it, would you even want to?
Got a feeling there's bad news coming,
But I don't want to find out."

Midway through some staccato violins join the party for added drama, but the star of the show is Mika's voice, showing light and shade we haven't heard before he shows he isn't just all about shiny pop hooks, he can break your heart too. In my opinion he hasn't sounded this good since, 'Happy Ending'.


'No Place in Heaven'is out in the UK on June 22nd with 'Last Party' as an instant grat track if you pre-order. Take a listen to our 'Track of the Week' Mika's 'Last Party'.


I think I've got something in my eye...

You can follow Mika on social media:

twitter - @mikasounds
facebook - Mika
instagram - @mikainstagram





Mashed POP-tato #6

This week we bring together a squeaky-clean pop princess and the reigning king of commercial dance music, our musical mashup marriage this week is Carly Rae Jepsen and Calvin Harris.


Carly is (yet another) product of TV talent shows, in this instance 'Canadian Idol' and, unless you've been in a coma for the past few years you will know her from her earworm of a breakthrough single 'Call Me Maybe' which nearly blew up the planet itself it was that popular! Since that huge smash of a record her careers have weaved through genres in attempt to replicate the initial success, she's flirted with dancier material on 'Good Time' (a duet with Owl City) and 'Tonight I'm Getting Over You', and more MOR material, such as 'Curiosity', to varying degrees of success. However, she has recently made a return to the upper echelons of pop with the catchy, 80's-influenced 'I Really Like You' (I'm not sure I've ever hear so many uses of the word 'really' in one chorus before!).

Calvin Harris has come a long way since being born Adam Wiles in Dumfries, Scotland, he's been the world's highest paid DJ for the last two years, has released 4 massive hit albums and worked with some of pops biggest names. He holds the record for the most UK top 10 singles from one album, an incredible 9 from the album '18 Months' (including the epic 'Bounce' featuring Kelis and 'I Need Your Love' featuring Ellie Goulding) and has had 3 #1 dance hits in the USA. 

The two tracks in our featured mashup this week are the aforementioned international smash 'I Really Like You' and Harris' 'Outside' (originally featuring Ellie Goulding again). The synths and flamenoc guitars of Calvin's production work really well with the sweetness of Carly's voice and as THAT chorus kicks in the dance quota starts to rise and the perfectly timed drop at the end of the chorus emphasises the burst of euphoric synths that gatecrash your ears a second later.


It, somehow, works REALLY, REALLY, REALLY, REALLY, REALLY REALLY well!

You can follow Carly Rae Jepsen on social media:

twitter - @carlyraejepsen
facebook - Carly Rae Jepsen
instagram - @carlyraejepsen

and you can find Calvin here (usually with his top off):

twitter - @CalvinHarris
facebook - Calvin Harris
instagram - @calvinharris



A Gossipy Chinwag with...Jennifer Davies

"Love it when you talk that talk to me, yeah..."



We featured Jenn in our first week of blogging as the inaugural '(this should be more) POPular', she's a star on the rise, her debut EP, 'Lapse of Time', is an absolute corker and you should check it out right now if not sooner! So we thought we'd get in before she blows up and hits the big time...

Pop is Not the Enemy: Hi Jenn, thanks for agreeing to answer some questions for us, we love your EP at PINTE HQ, but for those who haven't heard your tracks (fools) how would you describe your sound and who has influenced you as an artist?

Jennifer Davies: Hey! I would say I strive to make thought-provoking, imaginative pop music. I take influences from all kinds of artists, I heavily connect with the the punk aesthetic. I loved that era and the fact that it was so easy to form a band and it had so much rebellious energy. I love strong female artists like Debbie Harry, Karen O, Gwen Stefani, Goldfrapp, Robyn, Bjork and Shirley from Garbage.


PINTE: You released your debut EP 'Lapse of Time' for free last year, what was the motivation behind a free release? 

JD: I just wanted it to be a taste of what's to come, a
 chance for people to get a little snapshot into what I'm about as an artist.

PINTE: Do you feel music releases need to adapt to the 21st century?

JD: I think music is in a very weird place right now and I can't say I like it. I feel there is a lack of support for new talent and it feels like you're supposed to be this complete package right from the off. That works out for some but others need time to develop without pressure. Some of my all-time favourite artists had failed first albums. I just feel like with the attitude some labels have currently those artists wouldn't get a chance to do a second one with the way the industry is currently.


PINTE: You're playing the Sound City festival in your hometown of Liverpool this month and recently supported The Wombats at their homecoming gig, how does it feel to be playing 'Lapse of Time' live? 

JD: I absolutely can't wait for Sound City! The Wombat's support slot was so much fun, it was incredible to play to such an amazing crowd. Tord (The Wombats) co-wrote my EP with me and he managed to sneak out and watch my set from the crows wearing a big hoody haha!

PINTE: Do you have any plans to do more gigs around the country?

JD: I would definitely like to do more, it's my favourite part of it all,

PINTE: You have worked with up-and-coming fashion designer Nabil Nayal, how did this collaboration come about and can you see the two of you continuing to work together in the future?

JD: We were introduced by my dear friend Maxx Peter who directed all the videos for the EP. We see ourselves as a little collective and help each other out wherever possible. They both inspire me hugely and are two of my best friends. I think it's that trust and honesty, that friendship that helps us work so well together. I'm very grateful to them both for all they do.



PINTE: You've been through a few incarnations in the music industry, including singing lead vocals in alt-pop band Soft Toy Emergency and releasing material under the name Vela. Do things feel different this time?

JD: Yes, because I feel 100% me now. I used to be a real people pleaser, but I've realised that first and foremost you have to be true to yourself. I've found this whole project extremely liberating. I follow my gut instinct and when something isn't quite sitting right with me I face it head on.

PINTE: The video for 'Silhouette' showcase some impressive moves, have you had much experience with dance? 


JD: I've always loved to dance but had no formal training. I've never even attempted contemporary dance before so that video was a real challenge. We worked with a French choreographer living in Birmingham that we found on YouTube. He was an amazing person and really pushed me in rehearsals! I was covered in bruises from all the lifts...and a couple of falls, haha!

PINTE: Stylistically the tracks on 'Lapse of Time' are quite different, if you had to choose a favourite which would it be and why?

JD: 'Choke' because it's the most persona and honest song I've ever written.


PINTE: So, what's next for you? Can we expect new material in the near future, maybe even an album?

JD: Yes to new music in the near future and I've already started work on my album!

PINTE: Jenn, thanks so much for talking to us, good luck with the Sound City gig and can't wait to hear the album!

JD:  Thanks so much for the great questions,

The 'Lapse of Time' EP is available through Jenn's website www.jenniferdavies.co.uk and it's bloody brilliant!


You can follow Jenn on social media:

twitter - @JenniferDavies
facebook - Jennifer Davies
instagram - @jenniferdavies




Tuesday, 5 May 2015

(this should be more) POPular #6

You know that thing when you hear a song and you can't believe it hasn't been a massive hit? Yeah, that...

This week's hidden gem comes from a British popstar who flirted with the mainstream early on in her career but has since taken a more independent path as her music has developed.


Little Boots (Victoria Hesketh) is a electropop pixie from Blackpool who more than know's her way around a bloody good pop song. An ex member and lead singer of the now-defunct electropunk band Dead Disco (responsible for the rather wonderful 'Automatic') she went solo in 2007 and started to upload original songs and covers to Myspace and YouTube. In just over a year she had enough material for an album and started to work with producer Greg Kurstin. The fruit of their labours was the album 'Hands' which was home to her first single 'New in Town', pop masterpiece (co-written and produced by RedOne nonetheless) 'Remedy' and the criminally underrated 'Earthquake'. (Also check out the glorious cross-generational duet with the Human League's Phil Oakey 'Symmetry', what a tune!) 


'Hands' was a moderate success but despite this, winning the BBC Sound of 2009 poll and being nominated for the BRIT's Critic's Choice award Little Boots didn't managed the mainstream success her material deserved.
Little Boots retreated from the limelight, parted ways with her record label and set up her own, On Repeat Records, through which she released her sophomore album 'Nocturnes' in 2013. Less mainstream pop and more dance-influenced her second album contained the old school house-inflected 'Shake', a 6 minute monster of a tune, the Pet Shop Boys-esque 'Every Night I Say a Prayer', 'Broken Record' and the gorgeously euphoric 'Satellite'. 


Last year Little Boots returned to the pop landscape with her latest EP 'Business Pleasure' and this is home to our featured track this week, the rather superb 'Taste It'


A prowling bassline and stuttering beats work well alongside Little Boots' pop vocal (those 'la la la's' are such an earworm. Much more sparse and challenging than her previous material it was probably never going to be a massive chart smash, but it's great to hear Little Boots making the music she so obviously wants to, damn convention and what is successful in the charts right now. 

"Just to taste it, you want it,
No questions, no drama,
There's a chink in your armour.
And you cannot be broken,
You're a drop in the ocean,
Now the wheels are in motion."

Also, can we just have a moment for the random, bizarre and 80's-tastic video - Little Boots suits being a power-suited bitch!
This makes me very excited for the upcoming 3rd album, 'Working Girl', scheduled for release in July.

You can follow Little Boots on social media:

twitter - @littleboots
facebook - Little Boots
instagram - @littlebootsphotos




#TBT #6

For Throwback Thursday every week we're going to shine our poplight on a stone cold classic.

This week's 'Throwback Thursday' is a quality tune from a massively under appreciated album that never even received a release in the UK, although it was a big hit on the dance charts in the USA. I'm talking about something from this little lady...


It is indeed Roisin Murphy (yes, 'er off of Moloko, if you must!). With a new album out next week, the deliciously titled 'Hairless Toys', and a tour kicking off in Manchester next Tuesday I thought I'd shine a light on a pop masterpiece from her second album, 2007's 'Overpowered' (also home to the rather wonderful 'You Know Me Better' and 'Let Me Know'). However, the song in question for this article is the cocking brilliant 'Movie Star'!


Kicking off with a tasty, delicious buzzing bassline the pumping beats soon crash in and then we get Roisin's gorgeous smoky vocal, the falsetto section before the chorus is just bliss! And while we're talking about it, what a chorus - that high hat is so infectious! Witty, barbed lyrics paint a picture of an ambitious starlet who is willing to do pretty much anything to 'break into cinema':

"So he's a headstrong guy and perhaps I shouldn't listen,
There's a million girls wanna be in my position.
And if he tells me lies I'll suspend my disbelieving,
I'll leave it all behind, I ain't asking for permission."

It's tongue in cheek, sharp and utterly catchy from the get go. There are echoes of 'Supernature'-era Goldfrapp in this, possibly Roisin's poppiest solo moment, but it sticks in your head on it's own merits. Backed by a truly amazing cover of Bryan Ferry's 'Slave to Love' it really was a stand out track from the album, which is no easy thing on an album of this caliber). Also, I need to just pay service to the brilliant video, it's campy and hilarious with more than a few nods to the high camp of John Waters (in particular the Divine lookalike) and Roisin's mother being played by DJ and drag queen extraordinaire Jodie Harsh - obviously!



HOW WAS THIS NOT A MASSIVE HIT SINGLE?!?!?!?
I'm going to lie down before I burst a blood vessel.

You can follow Roisin Murphy on social media:

twitter - @roisinmurphy
facebook - Roisin Murphy


Monday, 4 May 2015

Track of the Week #6

It's only the bloody track of the week!

This week's track of the week is a slinky guitar-led pop tune of the highest order from a popstar who, after a few false starts, is starting to make moves towards breaking through. This week's track is 'Bad Dream' by Chloe Howl.


Signed to Colombia Records when she was 16 Chloe released her debut EP 'Rumours' in 2013 home to first single 'No Strings' (a REALLY good slice of pop dripping with 'fuck you' attitude) that also appeared on the soundtrack to the movie 'Kick Ass 2'. Next came a moment of pure pop that should have been a massive breakthrough (let's not dwell on the fact it only reached the heady heights of number 184 in the UK charts - what is wrong with people??). 'Paper Heart' is a juggernaut of a tune with it's buzzy bassline and the lovely interplay between Chloe's usual nonchalant delivery and the glorious shiny topline.  She was nominated for the BBC Sound 2013 poll and was also in the running for the BRIT's Critic's Choice award the same year, although she missed out to some bloke called Sam Smith. In 2014 she followed up with a one-two of darker pop; 'Rumour', all squelchy basslines and fizzy beats with a BIG chorus and lyrics from the 'Mean Girls' songbook, and 'Disappointed' with chugging guitars and a beautifully bitter chorus.

This now brings us up to date and with an album planned for release later this year Chloe is back with the sublime 'Bad Dream'.


Starting with an instantly catchy guitar riff it soon adds slinky beats and staccato strings, Chloe's vocal sounds more sultry than ever before due to some nifty filter work on the verses. This leads beautifully into a simple and underplayed chorus that floats above the darker content of thenverses. The lyrics paint a bleak picture of someone stuck in a mundane everyday life that won't let them go:

"You got mouths to feed,
You got a rep to keep,
But no one understands,
You can't see dry land."

'Bad Dream' has a real retro feel, the guitars have a distinctly 60's flavour to them, more than a passing air of film noir or spy thriller. So why not take a listen to this week's 'Track of the Week', 'Bad Dream' by Chloe Howl?
(Unfortunately there's no official video yet, only an audio file on YouTube.)

 

Bloody lovely, and fingers crossed that Chloe now starts to get the attention she deserves!

You can find Chloe on social media:

twitter - @ChloeHowl
facebook - Chloe Howl
instagram - @chloehowl